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Useful But Simple Modifications To Aircraft.Cfg


xxmikexx

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I told webmaster Nels Anderson yesterday that I would like to write a series of short How To ... articles regarding making simple changes to Aircraft.Cfg for the purpose of overcoming common nuisances. He likes the idea because he would like to see more of the technical kind of How To ... articles.

 

But how did I come to be able to make such changes? After all, the common perception is that when it comes to FDE, only experts can make such changes because "Everything interacts with everything else."

 

Yes and no.

 

Yes, to a certain extent everything does interact with everything else, see below. But no, for many common problems and annoyances you don't have to be an FDE expert. All you really need is an understanding of basic arerodynamics, which will be covered by the first article in the series.

 

In advance of the article I'll give a short summary and a simple example ...

 

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You will be way ahead of the game if you understand that, in straight and level flight at constant airspeed, lift must precisely equal the weight of the aircraft, and engine thrust must precisely equal the sum of all the drag forces acting on the aircraft.

 

If lift didn't equal weight the aircraft would either climb or descend. If thrust didn't equal total drag the aircraft would either speed up or slow down. Common sense, nothing more. No requirement for wearing a beanie with a twirly thing on top.

 

Now let's talk about drag. It isn't immediately obvious, but when you think about it there must be basically two kinds of drag actiing on the aircraft. The first kind is obvious -- so-called "form drag".

 

Form drag results simply from the aircraft moving forward through the air. The aircraft has to force the air aside as it flies. The higher the airspeed the more air needs to be shoved aside per unit time -- and therefore the greater the retarding force. Thus form drag clearly must depend on airspeed -- very high at Mach 3, nearly zero at taxi speeds. Again, common sense.

 

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The other kind of drag is "induced drag". As you already know, to generate lift the wing must maintain a non-zero and positive angle of attack. Remember sticking your hand out the car window when you were a kid? Edge on and there was relatively little drag. But when you tilted your hand it would climb -- and be forced back.

 

The rearward acting force is induced drag. It comes about because the airfoil has a positive angle of attack when it is generating lift -- and this positive angle of attack causes the lift vector to be tilted away from the vertical. The result is that the vertical component generates the lift while the rearward component generates the induced drag. You can't have the one without the other.

 

Now ... If you think about it, to maintain constant lift a fast-flying aircraft will need a shallower angle of attack than it would at low airspeed. As the angle of attack becomes lower with increasing airspeed, the reardward component of the lift vector becomes smaller. That's right -- as airspeed increases, form drag decreases, and conversely.

 

And now for the part that is a bit less obvious but just as easy to understand ...

 

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Clearly the total drag on the aircraft must be the sum of form drag and induced drag. Again, common sense. But what isn't immediately obvious is that if you were to make a graph of total drag versus airspeed you would find it to be shaped like a U or a bathtub -- it would have a minimum value at some particular airspeed.

 

And now you will just have to take my word on something. (If you don't want to take my word on it you will have to study fluid dynamics.)

 

At faster than that minimum airspeed, the form drag component of total drag will increase somewhat rapidly at the same time that induced drag is gradually decreasing. At slower than that minimum airspeed, induced drag will increase somewhat rapidly while form drag slowly decreases. Therfore total drag will be higher on BOTH sides of the minimum drag airspeed, and this is why the graph of total drag versus airspeed is bathtub-shaped.

 

And that's almost everything we need to know about aerodynamics to be able to solve problems like the following ...

 

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When I inherited the Erick Cantu 727-200 airframe with the Charles Fox FDE I found that the aircraft, when slowed at cruising altitude from .81M to .60M in preparation for descent, was taking about 10 nm to slow. I happen to know that real 727s are "slippery" and require more nearly 20 nm to slow than 10 nm. So the question on the floor becomes, How do you make the aircraft take more distance to slow down?

 

Well, in principle you could artificially increase engine flight idle thrust, somewhat lessening the effect of total drag on the slowdown process. There is a parameter in aircraft.cfg that would allow you to do exactly this. Trouble is, it would increase thrust in all other situations too. ("Everything interacts with everything else.")

 

So we're not going to do that. Instead we're going to think about the problem ... ... ??? ... ... ... ?!? ... ... !!!.

 

Go to the head of the class if you said that we need to decrease the form drag. This will allow us to leave the engine thrust parameter alone, and it will have little effect on the low-speed handling characteristics of the aircraft, where the drag forces are dominated by induced drag rather than form drag.

 

So if we make a modest reduction in form drag, something like five or ten percent, we should find the aircraft slowdown distance increasing ... And so it does.

 

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But now we have created another common sense problem. The lower form drag means that at cruising airspeed the aircraft will require less thrust to maintain airspeed. Less thrust means lower fuel consumption, and it also means an artificially lower reading of the fuel flow gauge.

 

But those are the only important interactions. It isn't EVERYthing that is interacting with EVERYthing here, it's form drag interacting with thrust and therfore fuel consumption.

 

The situation is actually very simple when you think about it, and all that we needed was an understanding of basic aerodynamics in order to see which aircraft.cfg parameters need to be modified ...

 

form drag

engine thrust

fuel flow

 

So that's what these articles will be about. Not about how to achieve the utmost in realism in all parameter behaviors in all flight regimes, but instead HOW TO MAKE THE SIMULATED AIRCRAFT DO WHAT YOU WANT IT TO DO.

 

Once more, common sense prevails. It's not black magic and we don't have to be beanie-wearing propellerheads to make the right things happen.

 

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Gee ... I guess I just wrote that first article, didn't I? :D That's fine, when I want to release it I'll know exactly where to find it, and in the meantime almost nobody will have read it, except perhaps for my good friend skylab.

Edited by xxmikexx

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Well, I read it and it's clear as mud to me!! (smile)

 

Hey.....all I did was fly these things; never tried to understand too much about the "why" it works.

 

If it made it in, it'll make it out.

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Well, some people are basically analytical of the natural world, like me, and other people are basically accepting of the natural world, like you I suppose. I'm happy doing engineering type stuff, you were happy to simply fly the aircraft that engineers had designed. It's essential to the human race that we have both kinds of people.

 

So maybe this article will appeal only to the analytical crowd -- to the people who would like to tweak their aircraft but don't know how to go about it. That's fine. You read it and that's sufficient for me as an author.

 

But you know, because of my musician background, and because of my short career as a producer of MIDI sequenced music for computer bands, I'm both left brained and right brained in my approach to music. I guess I'll make that the subject of tonight's blog. (As I said two weeks ago, for me a blog a day keeps the doctor at bay.) In the meantime ...

 

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People are posting to the Energy Independence thread in The Yard after all so perhaps the problem is simply the mods plus rgarber, all of whom are leaving me alone today. Why don't you read it and see whether you want to chime in.

 

As for Ready For Pushback, I'd just as soon do the politics, religion and discrimination stuff at The Yard rather than at my PC Game Controls site, though I'll certainly do it if it's the only way to get a free speech platform for me and for people of all viewpoints who are willing to be civil, and tolerant of even the most extreme viewpoints, even when the discussions get vigorous. (My feeling is that most people are smart, not dumb, and that really stupid ideas and positions will be seen as such by most people, hence there's no threat and no need to try to censor ideas and attitudes, only a need to intervene on civility matters now and then.)

 

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I don't know about you but I find that I learn the most from people I disagree with because their attempts to bring me around to their viewpoint invariably result in information that's new to me. (And sometimes people will actually cause me to change a position, see below for an example.)

 

I find this to be just as true in technical matters as it is in politics etc. So for example I often try to get debates going in the PC Software Tech forum because I figure that if I'm learning stuff from people who won't get with my programs, then the readership will too.

 

But there's a fundamental difference between somebody disagreeing with me for sound technical reasons, versus somebody disagreeing with me because they're speaking out of ignorance and/or providing misinformation. In the latter cases I correct them, coming down hard if they won't accept correction. (Like a certain arrogant member who departed this site the other day because, I do believe, he suddenly realized that when it comes to operating system principles of operation there's a new sheriff in town -- and always has been.)

 

Yet member loki caused me to do a complete 720 degree change of direction regarding my approach to system backups. The debate got vigorous, I explained the crux of my position, he showed me that I was wrong on that particular point, and as a result my whole view of the issue changed on the spot. That's why I love forums.

 

Never a horse that couldn't be rode,

Never a rider that couldn't be throwed.

Edited by xxmikexx
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>>>...you were happy to simply fly the aircraft that engineers had designed.

 

That was true as long as the engineers realized that their pay should not necessarily be equal to ours. One of them wrote in to Aviation Week Magazine many years ago with that idea; that he should be making as much as the pilots. I responded with words to the effect that he could take his time to make his decisions and call upon countless others for advice before committing to anything. I went on to say if he could move his desk through the air at 600MPH and make his decisions instantly, then he indeed was worthy of a higher salary. He did NOT answer back.

 

 

>>>...because of my musician background...

 

Well, I'm one of those "frustrated musicians". My baby sitter taught me boogie woogie on the piano when I was 7 or so. My parents suggested piano lessons. I thought; hey, good idea, I can learn more boogie. So I told my piano teacher right off that I wanted to learn boogie. She said, fine, and put a piece of sheet music in front of me. I said I couldn't read it. So she said, ok, we'll start from the beginning and learn how to read. I tried for one week and gave up. Probably one of the great mistakes I made in my life; not continuing with music lessons. I continued to "play" the piano for years and got my repertoire up to about 15 minutes. I even played "tops and bottoms" with a 'real' piano player in a bar. And of course, (in my other life) I played at bars, yacht clubs and parties. No more though. My wife has a keyboard and I don't even play that now even though it has headphones.

 

However, I am a great music appreciationist. I can listen to anything but Polka and enjoy it. In fact, there's almost always a music file/s playing in the background on the computer. And if you think Millie Vanille (or whoever they are) are good, you ought to see me mime the sax, guitar, piano, organ, trumpet, trombone, or just about any other instrument!

 

I've got over 52MB of Midi music. Some of it real good stuff, but I'm into MP3-type stuff now with it's better sound on the computer. I've only got a little over 20GB of that stuff! That's 'GIGA'!

 

 

>>>...Energy Independence thread in The Yard ...

 

Oh, I could get into that thread real easy, but have not done so and probably won't. This whole 'energy crisis' is a farse. There's more oil right beneath the US than we could burn in the life of the planet. Look at the trouble we went through to get the Alaska Pipeline in. Now there's ten times the oil in ANWR, and the "environmentalists" have such a strong lobby for some reason (even though they're such a small percentage of the population), we can't go there. There isn't one person in 20 million who will EVER set foot in ANWR, so what's the big deal? Gas here got up to 4.20 for awhile and when it dropped 10¢ people were lined up down the street thinking there was a gas war! Doesn't take long for the people to get brainwashed, does it? There are just too many S-T-U-P-I-D people here to get anything meaningful done any more. And most of them are running this show. Sad. Glad I'll be 'checking out', hopefully before the whole thing colapses.

 

 

>>>Like a certain arrogant member who departed this site the other day...

 

Not aware of that.

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The dearly departed member is Paxx. He said that he was going to Avsim, which is fine, he'll be happy there because nobody at Avsim will be capable of calling him out when he's wrong, and I don't go there very often, certainly not to pursue anybody.

 

Apart from the Microsoft people there is one other person in the FS community who knows more than Paxx, and that person is (drum roll) ... ...

 

... ... Pete Dowson of FSUIPC fame. I don't think there's anybody else. Pete truly is a remarkably strong technical programmer. I admire him in the same way that Keith Richards admires Chuck Berry.

 

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Okay ... Re the oil stuff, you've reacted to what I wrote, now I'm not going to write anything more about it on this site.

 

Re the pay of airline pilots, I would like to see us re-regulate certain aspects of airline operations, including raising the pay scales for flight deck crews so as to reduce the airlines' incentives to promote people to the left seat simply because they're young and cheap. I want to know that the guy in the left seat has years of experience and thousands of hours, and I'm willing to pay for that assurance.

 

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Re music lessons, like you I took piano lessons at an early age, in my case five, and at my mother's insistence. The lessons didn't go on for very long. As I was being taught to read, the confines of the written music (Bach preludes) were getting to me and I wanted to swing out and play the pieces my way. :)

 

The teacher was having none of it, and so the irresistible force met the immovable object -- and I refused to go any more. I didn't touch another instrument till I was ten, which was blues harmonica, self taught. Then I taught myself to play guitar (and mandolin and ukelele, which are really all the same thing).

 

I'll write more about this tonight but I played semi-pro late in high school and throughout college. I was the best rhythm guitarist I knew (can't play lead at all) but I wasn't the best that I was hearing on the radio. So I gave up all thoughts of becoming a studio guy ...

 

... And I never did learn to read. Got a mental block for some strange reason. :) And anyway, 80% of session guys can't read ...

 

... And I absolutely LOVE polka music. Who can't love "In Heaven There Is No Beer?" ...

 

In heaven, there is no beer.

That's why we drink it here.

And someday, when you're no longer here,

Your friends will be drinking all the beer.

 

Courtesy of Frankie Yankovic. By the way, it turns out that even though they have the same last name, and even though they both play the accordion (well, Frankie's dead), Frankie Yankovic and Weird Al Yankovic were not related. They did a couple of gigs together just for fun but they had no relatives in common that they knew about.

 

Inquiring minds want to know about stuff like this. :)

 

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Anyway, for the sequenced cover music business I had to learn to fake it on keyboards. I'm really not very good at all, but thanks to punching in I can sound like Jimmy Smith if I need to.

 

And I had to do that once -- the Jimmy Smith B-3 organ solo for an obscure piece called "Walk The Dinosaur". I played it into a sequencer 1-2 bars at a time, one hand at a time, with the other tracks running in parallel, and the result sounded fine. But I can only finger in the key of C so I had to get a MIDI keyboard that would do transpostion. (We needed a good one anyway, I just didn't want to pay $2,000 for a touch sensitive 88-key Yamaha or whatever it would have been.)

 

Anyway, I can make a MIDI track do whatever I want it to do, I just can't play the instruments in real life. :D

 

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Now ... Tell me about Ragtime. Who did/do you like?

Edited by xxmikexx
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>>>Now ... Tell me about Ragtime. Who did/do you like?

 

No ragtime on this machine either. Closest thing would be some Dixie.

 

Short list of favorites, NOT in any particular order:

 

Dave Brubeck

Richard "Groove" Holmes

Jimmy McGriff

Hank Crawford

Ray Prysock

Bill Doggett

Prayful

Aritha Franklin

Doc DeHaven

Bryan Shanley

Jimmy smith

Jimmy Buffett

Pinetops Perkins

Jolls Holland

Santana

Rare Earth

Doobie Brothers

Three Dog Night

Lighthouse Allstars

Dukes of Dixieland

Gene Ammons

Louis Prima

Stanley Jordan

Gerry Mulligan

Cal Tjader

Keiko Matsui

 

Oh.....there's just too many to list. And, I don't necessarily like ALL of what each of the above have done. Usually, my foot has to be moving in order for me to enjoy any music unless I'm trying to take a nap, in which case I have set aside a few to listen to while I'm falling asleep. Like some Boston Pops, Enigma,etc.

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I'm familiar with many but not all of the names on your list, but I did notice the Dukes of Dixieland ...

 

My sister was seven years older than me and my parents favorite. So she got neat stuff, like a nice early model stereo record player, and the first 33 that she bought was the original Dukes of Dixieland album. (This was in 56, I think. I don't know what happened with the group after that, you will have to tell me.)

 

I remember the jacket saying that those guys never improvised -- that all the arrangements had been worked out down to the last note and were played the same way every time.

 

That was my introduction to Dixieland jazz. It's not the kind of music that I would ever buy, but I can listen to it from a producer's viewpoint and admire it even if it's not my cup of tea.

 

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In terms of likes (as opposed to simply familiar with), we are on the same page re

 

Dave Brubeck

Bill Doggett

Aretha Franklin

Jimmy Smith

Pinetop Perkins

Santana

Dukes of Dixieland

Louis Prima

 

Now … You can’t stand polka, I can’t stand Gerry Mulligan.

 

I’ve never heard of the following people, I sure hope you’re not going to tell me that Google is my friend …

 

Richard Holmes

Hank Crawford

Ray Prysock

Prayful

Bryan Shanley

Lighthouse Allstars

Gene Ammons

Cal Tjader

Keiko Matsui

 

Everybody else on your list I know, and I'm familiar with their music, but if I didn't list it under our common likes then it means I don't care for their stuff. (Though again, I can listen to anything from the viewpoint of a producer.)

 

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Now ... If you like Santana then you might like Latino jazz funk as exemplified by the group War. Check out "Low Rider" ...

 

http://www.youtube.com/watch?v=Y6c3emqC6aw

 

You likee yes or you likee no?

 

<Did we have this conversation a few months back? I have a strong sense of deja vu here.>

Edited by xxmikexx
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Gerry Mulligan started out in the "West Coast" jazz scene. I admit to not liking all of his stuff as I said for the rest of them. I probably like the baritone sax that he plays better than anyone. I have a recording of him doing Take Five along with Brubeck that is GREAT.

 

As to:

Richard ("Groove") Holmes - Jazz Organ.

Hank Crawford - Tenor Saxaphone usually with Jimmy McGriff.

Ray Prysock - Saxaphone from the Fifties.

Prayful - Not sure what genre you'd call their stuff. Newer. Try a fileshare d/l. I like their "Corpo Saudo".

 

Bryan Shanley - Local Clarinet player that made good and went with the Dukes.

(Howard Rumsey's) Lighthouse Allstars - West Coast Jazz from back aways. No longer active.

Gene Ammons - Great Saxaphone player from back aways.

Cal Tjader - Latin Vibes.

Keiko Matsui - Great, newer piano player.

 

Surprised you didn't have Doc DeHaven on your list. You know of him?! Extremely small world if you do.

 

I don't know what happened to the Dukes. Just kinda faded away I guess. It's not my favorite music, but there's some of it I really like. I liked dixie more back in the Fifties and Sixties. The Dukes do a fantastic rendition of Midnight in Moscow. I think maybe that Bryan Shanley is the clarinetist on that one. Harry Conick Jr. has some good dixie as well.

 

Already have that version of Low Rider on here. I've got the same recording by War and Z Z Top? Another one by Widespread Panic (8:34). I likee all.

 

No deja vu here. Don't recall discussing this in the past, but who knows?

 

P.S. Got a Low Rider by Booker T & the MG's also: same recording. So.....who's is it?

Edited by skylab
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Doc DeHaven -- I've heard of him so I guess that's why I didn't list him.

 

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Booker T. and the MG's ...

 

I don't own a lot of music but in what I do own is the 8-CD Stax/Volt set -- the complete catalog as of when they shut down and sold themselves to Atlantic. Of course "Low Rider" isn't in there because it hadn't been written yet when Stax closed. Do you have a URL for the Booker T version?

 

As for Mulligan, I find berry sax just as boring as bass solos, and that comes from a bass player. The only baritone sax playing that I've ever liked is the back-up playing by Saint Claire Pinckney, Jame's Brown's musical director. Spartan and tasteful -- just like bass should be.

Edited by xxmikexx
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No URL for the Booker T version, but it is identical to the others, as is one by Santana. So I got a War, Booker T, Santana, and a ZZ Top version of Low Rider, and they're all exactly the same. I think some people just make these things available and don't really know who the artist is. And, I don't know who the "real" one is either. But, I don't really care in this case.
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The original artist is War themselves, the same folks who did "Cisco Kid" ...

 

http://www.youtube.com/watch?v=wgZVnamjEsQ

 

and "Slippin' Into Darkness" ...

 

http://www.youtube.com/watch?v=c3lbsEfwhK4&feature=related

 

Along with Eric Burdon they also did "Spill The Wine", but I really dislike that number and will not provide an URL. :D

 

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Well now. If we can only get together on jazz funk that is still a very large universe of music. How do you feel about ...

 

James Brown

Herbie Hancock

We3 (I think that's their name)

Sly Stone

James Brown

George Clinton

Bootsy Collins (Rubber Band)

(Did I mention James Brown?)

 

And not in a funk vein but how do you like ...

 

Sugarloaf

Steve Miller Band

Cannonball Adderly

Steely Dan

Isely Brothers

Doug Kershaw

Edited by xxmikexx
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All of the above. Like I said; I didn't list all my favs because there's just too many. My kids can't believe the music I listen to. They say I'm too old!! Can you believe that?! But, sittin' in my desk chair at the computer with my feet just a tappin' keeps the blood flowing.
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Okay then. Herewith, a link to one of my favorite (but very obscure) music videos, Bootsy Collins as Bootzilla in "Party On Plastic" ...

 

 

My kids can't believe what I listen to either but my younger grandson can -- he got the music genes and he too loves James Brown.

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